Friday, November 29, 2013

Tim Burton Interviewed on the Treatment

Elvis Mitchell interviews Tim Burton, on the Directing both movies, The Corpse Bride and Charlie and the Chocolate Factory at the same time, in a KCRW interview aired on 2-15-2006.  He directed some other films, such as Beetle Juice and Batman. Tim Burton is an artist who went to Cal Art for animation and also worked at the Disney Factory in animation with many famous and great people. 
            It was a wonderful interview where Tim Burton talks about animation, and specifically stop motion.  He talks about working at the Disney Factory and also the people that he worked with, such as the animators of The Fox and the Hound and other films, but also about attending Cal Arts and having teachers who also worked at the Disney Factory.  He goes over art and creations and how people need to create.  He also goes over how people are always against the villians and the monsters, but he was on the flip side and felt for them.  How they had emotions and feelings and he believed that were the victims. 
            “… hand-made artistry that went into it, I think that there is something important about that medium.  Like Pinnocio, bringing the inanimate object to life…”  He is talking about stop motion and how it is a medium that is made to show emotion and all the hand-made work that went into it.    He is speaking of the animation medium of stop motion.  This is when a camera is used and each scene is a combination of thousands of still films.  In this medium each movement is done slightly and a picture is taken until the movement is achieved on film.  This is a slow and intensive craft that most companies have abandoned, like Pixar.
            “Everyone needs an outlet, whether it is music or writing… that helps us let go of some emotional or creative steam.”  Tim Burton is a big fan of art and creating things from one’s own mind and less for the masses.  His work has a dreamy side, artistic and creative, but an outlet for his expression.  Tim Burton has an exhibit at the LACMA a few years back and a lot of his early art work was displayed, such as his earlier animations, such as The Melancholy Death of Oyster Boy and Other Stories” shows that he is very true to his artwork and his style is always very consistant. 
             The last quote that I have from Tim Burton on the interview is, “I think they were all different, some were really great at layouts…. You can see their passion, even after so many years, you can see their passion.”  This quote shows that the most important thing to Tim Burton is passion and being true to it.  He tells of working at The Disney Factory and being surrounded by brilliant people and still he could not do what they wanted him to do.  While drawing the fox for the movie The Fox and the Hound, he realized that he could not keep drawing the fox as a cute big eyed animal.   He knew that he was not being true to his art and his passions.

            I have always been a fan of Tim Burton and his art, not only is he a great director he is an artist and a passionate person. He speaks true and one can tell there is no lie in him.  He draws and makes what he loves.  He says that as a child he loved to read Charlie and the Chocolate Factory and then he makes it into a movie.  He can recreate a book into a film and he also has the ability to create original works.

Wednesday, November 13, 2013

Sacha Baron Cohen

Born:
October 13, 1971
Hammersmith, West London


Education: 
Cambridge University


Spouse: 
Isla Fisher (Actress)


Known for:
Comic Situations & Self-Ridicule & Controversial Characters

Early profession:
Model


Profession: 
Actor, Producer, and Writer


First Film: 
The Jolly Boy's Last Stand  - 2000


Awards:
British Comedy Award - The 11 O'Clock Show - 1999
BAFTA {2}- Da Ali G Show - 2001
Golden Globe - Borat - 2007
Comedian of the Year - GQ Magazine
Los Angeles Film Critics Association Award - Borat - 2006
San Francisco Film Critics Circle Award - Borat - 2006
Toronto Film Critics Association Award - Borat - 2006
Golden Globe for Best Actor in a Comedy/Musical - Borat - 2007


Movies: 
Madagascar -  King Julian (Voice) - 2005
Talladega nights: The Ballad of Ricky Bobby - Jean Girard - 2006
Borat - Borat Sagdiyev - 2006
Sweetney Todd: The Demon Barber of Fleet Street - Signor Adolfo Pirelli - 2008
Hugo - Inspector Gustav - 2011
The Dictator - Admiral General Haffaz Aladeen - 2012
Les Miserables - Thenardier - 2012

Anchorman: The Legend Continues - 2013




Best Known For: Borat - Borat Sagdiyev




Musical Actor: Les Miserables - Thenardier




Saturday, November 2, 2013

The Diving Bell and the Butterfly in an Angle


OVERALL LOOK

The film The Diving Bell and the Butterfly, had a lot of camera movement.  The camera angle moves from low to high angles and incorporates the Dutch angle to make the character's thoughts more visual and defined.  I think the cinematographer, Janusz Kamiński and the director Julian Schnabel, was very fond of using this angle to express the main character's, Jean-Dominique Bauby, sense of confusion and distress as he is learning the results of his stroke.  Julian Schnabel is a painter first and a film maker second.  He incorporates his artistic talents into the film.  Each mise en scene is an image in itself and each tells a story.




It shows the audience that Mr. Bauby is disoriented and seeing things at an off angle and not in the norm.  The framing of the film was also very significant.  It shows the loneliness of Mr. Bauby stuck in his own body.


He is in the middle of a vast ocean, on a platform with the emptiness around him.  This movie is mainly made so spectacular, not in the story itself only, but also in how it was expressed to us visually.  The lighting, shown below, shows the red light as a symbolism of adultery, for example the book The Scarlett Letter, and the erie lighting of the chapel, showing his feelings of distance from God and answered prayers.



 IMAGES

A lot of the images show the imagination and thoughts of Mr. Bauby.  As he is left alone waiting, in the chair, in the bed, on the physical therapy slab.  He is always living in his head and without his verbal usage we can see what he sees and thinks. Luckily he has an active imagination and can survive living in his body.






SHOT LENGTHS

Shot lengths are used sometimes to show long time periods for the characters in the movie, or also for times that seem to go faster.  It helps the audience know when the character is having a moment of thought.  Like the shots on the pictures of the wall in the movie, show the main character's long times of being alone and bored.


SHOT TYPES

As mentioned before there are many uses of different shots used in this film.  The long shot is used many times to show the distance that Mr. Bauby feels from other people.  Also close shots are used when he feels some sense of closeness or maybe sometimes an invasion of personal space.  The doctors coming in super close to examine his eye and sewing it up was an example of invasion of space.    


 CAMERA ANGLES

Most of the shots in the movie are POV shots because we are seeing how the main character sees.  The angles of his head show the angles that we see from.  The high angles show him seeing his life pass from a distance, like when he is remembering his past in a positive light.

COMPOSITION

The composition of the movie seems very unbalanced, but in the end it help to build the movie in a way where the audience is closer to the main character and his feelings.  The scenes with his ex-wife and his while she translates to his mistress what he is saying the frame is made where the audience focuses on her and the phone the mistress is on.  Then it pans over to all three of them in the frame.  It shows the focus on the relationship between the three of them.

CAMERA MOVEMENT

The scene where Mr. Bauby is in his wheel chair on the platform in the middle of the ocean shows him alone and far.  Then it uses a zolly to make the background further away, while at the same time making Mr. Bauby the main focus.  

CINEMATOGRAPHY STYLE

For the purposes of this movie the vast uses of the different cinematography style builds the sense of life and effect the stroke has on Mr. Bauby.  The extremeness from the the steady frames during his "normal" life and the disoriented frames of his life after.  The only times the camera is steady, other than the times where he is remembering his past, are the times where he is writing the book and when it becomes a norm to his everyday life.  Or when other characters are interacting with him where the camera is not in his point of view.  Janusz Kamiński is amazing in his use of the camera and Julian Schnabel is a master of his craft.